R.I.P - PERIL THE SECOND: THE LONEY BY ANDREW MICHAEL HURLEY

This is my first completed read for the R.I.P. Challenge XI: Peril the Second. I first heard about this title months ago on the Radio 4 podcast Open Book in an interview with the author and it stuck with me enough for me to recall it when I was browsing the new books section at my local library. Open book classified this book at “Gothic” and I would agree with that. The book is never really terrifying and yet the author managed to maintain an eerie atmosphere all the way through.

The Loney is one of those books where the reader may not be quite sure what exactly happened when they reach the end of it, which I know can be frustrating for some. However, I like it when this type of story is done well; I like having room for interpretation. And I think the author got the balance right most of the time. I don’t read a lot of this type of book, but it reminded me a bit of Shirley Jackson’s The Haunting of Hill House in in terms of keeping the reader off-kilter.

On the surface, the story is about an ultra-religious Catholic family in the mid-1970’s and their quest to heal their disabled son via miracle, whatever that takes. The book is narrated by the younger son as an adult looking back in hindsight upon events which took place when he was a teenager. The fact that the narrator is never named is something I only noticed after finishing the book. The unnamed narrator serves as a caretaker for his older brother and has a complex and difficult relationship with his overbearing mother. Most of the story takes place in an isolated stretch of coast in England where the narrator has come on a pilgrimage with his family, their priest and other church members.

But dig a little deeper and the reader will find that The Loney is also about the difference (if any) between superstition and religion and the potential harm of either, in particular when wielded upon young, impressionable minds. And that is where perhaps the real horror lies.

R.I.P.Challenge 11 (Readers Imbibing in Peril)

Unlike last year, when I almost didn’t manage to complete all 12 challenges in the Back to the Classics Challenge at Books and Chocolate , this year I have a mere one book more to go and it is only September.  So I thought I would participate in the R.I.P. Challenge 11 hosted by Stainless Steel Droppings .  I have observed this challenge on the internet from a far for many years and now seems like the perfect time to take the plunge.  Most importantly, this challenge is very easy to commit to, since there are quite a few Perils to choose from, it runs for a full two months (September 1 to October 31), and the works need only fall into the broad categories of (i) mystery, (ii) suspense, (iii) thriller, (iv) Gothic, (v) horror or (vi) dark fantasy.

So I have chosen to try the Peril the 2ond: Read 2 books from any of the above listed 6 categories AND Peril the Short Story: Read one or many short stories  


For Peril the 2ond I will read in the category of Mystery, Faithful Place by Tana French.  I have been meaning to get back into this series for a while and here is the perfect opportunity. In the Category of Gothic, I will read The Loney by Andrew Michael Hurley which I first heard about on the BBC Radio 4 podcast and recently stumbled across at my library in the new books section.

For Peril the Short Story, I will read The Dracula Book of Great Vampire Stories edited by Leslie Sheppard, which actually will double up with my final category in the 2016 Back to the Classics Challenge: Classic Short Stories.

I do wish I could add in some crispy fall weather to help with the challenge, but is is over 100 degrees today, so I will just have to let the books transport me to cooler climates. I think this will be a lot of fun and I look forward to reading other bloggers posts in conjunction with the challenge!

BONJOUR TRISTESSE by Françoise Sagan

My first thought for the 2016 Back to the Classics Challenge category “A Classic In Translation” was to try something from Collette, since I had never read her and was curious to try.  But I also have this nutty idea to read the entire Rougon-Macquart  series by Zola (I have only read two: The Fortunes of the Rougons and Germinal…only  18 more to go! – cue crazed laughter).  But in the end, I spontaneously decided to go for something different, but still translated from the French interestingly enough. I read Bonjour Tristesse by Françoise Sagan (translated into English by Irene Ash) which was first published in 1954 when Sagan was just 19.  I didn’t realize that this is a novella, but that was a happy surprise in that it didn’t take me long to finish it.

The story is about Cécile, a 17 year old who has been living in Paris with her widowed father and his string of live-in girlfriends for two years since leaving her convent boarding school.  Cécile should be studying for her entrance exams to university, but frankly she can’t be bothered.  Like her father Raymond, she is too busy having fun to worry too much about exams or anything else she finds unpleasant.  She spends most of her time attending parties and social events in her father’s circle of like-minded men and women.  However, when she goes to the French Rivera for the summer with Raymond and his latest gal pal, their family friend, Anne, shows up unexpectedly.  Cécile and her father are drawn to Anne’s common sense stability, a trait they both lack. However, Cécile soon feels threatened by Anne and Anne’s relationship with and influence over Raymond and drama and tragedy ensue.

This book is very much a character study of Cécile. There is some dialog and description but much of the book is inside Cécile’s head. And because she is a spoiled, immature teenager who doesn’t have the emotional experience to navigate the threat that she believes is posed by Anne’s presence, often the inside of her head is a confusing and contradictory place to be.

I liked the novella OK but I am not going to rush and read any further books by Sagan.  It is great when I read a classic and discover a new author with a huge back catalog for me to explore, but when that doesn’t happen, that is OK too!

THINGS FALL APART BY CHINUA ACHEBE

Before I’d ever read this book, before I even knew the basic outline of the story, I knew that Things Fall Apart was “supposed” to be a book about the advent of colonialism in Nigeria and the resulting destruction of the indigenous culture. But well over half the book is about Onkonkwo, a successful farmer and leader who is respected (but not particularly loved) in his village. Frankly, Onkonkwo is as rigid and unyielding as any intolerant, colonizing Englishman and/or Christian  missionary. I mean, there has to be a reason that Achebe made his central character so very unsympathetic. Personally, I think that any forceful challenge to Onkonkwo’s belief system would have knocked him for a loop. His entire life was blind faith in tradition, regardless of how such tradition made him feel or how it affected his loved ones and I am not sure just how much this book was intended to be an indictment of European colonialism as I had been led to believe. I realize that Achebe wrote further books that are loosely considered to be part of a series, so perhaps those books address this topic more specifically.

I was not super keen on the storytelling style of this book. It just is not my taste; very simplistic and bare-bones, which totally suits the story, but it isn’t something I particularly enjoy. And the title, a reference to a poem by Yeats (which I only know because I think Picard quoted on Star Trek Next Generation once), belies that simplicity. What I did like were the little authorial hints about other villages with other traditions, and the glimpse into a tradition and culture which is now most certainly non-existent in the form presented in the novel, although bits and pieces surely remain today in modern Nigeria. Even though I didn’t really love the writing style, I think that this is a book that can be understood and appreciated on a variety of levels. It is deceptively simple and subtle.

I read this book for the category “Classic by a Non-White Author” in the 2016 Back to the Classic Challenge hosted by Karen on the blog Books and Chocolate. I am glad I finally got to it since it has been on my list for many years and particularly I wanted to read it before I tackled Chigozie Obioma’s The Fishermen since my Father told me that one could see a definite link between the two books.

Lolita by Vladimir Nabukov

No plot summary needed because I think most people are well acquainted with this particular story. I read this book as my choice for the “Banned or Censored Classic” for the 2016 Back to the Classics Challenge hosted by Karen at the blog Books and Chocolate. This book was banned in the UK  and in France, in the late 1950s although it was eventually published in both countries. I can’t find any Internet evidence, however, that it was banned in the U.S. at all which really surprised me, given that Forever Amber was banned less than 10 years earlier and having read both, I would say that Lolita is more explicit and much, much more disturbing.

I read Reading Lolita in Teheran a few years ago. Probably mostly because the title alludes to it, but I specifically recall  Azar Nafisi’s deconstruction of this novel.  In particular she elucidated on how Humbert Humbert not only physically imprisons Delores, but how he denies her her own existence outside of himself figuratively and metaphorically as well. This is something I thought a lot about as I read Lolita.    

 I know that Nabokov is revered for his writing but I wasn’t really able to appreciate it as such. I realize there is a lot that I missed; references to other works, etc. But even if I could unequivocally state that this was the best written novel ever, it is, in my opinion, a very unpleasant story and no amount of Humbert Humbert's charm can deflect from that.  There are a few books that I have read where I am sure that I would have appreciated them more when I was younger, but this is a book that I am glad I read when I was older and somewhat wiser. I don’t know if I would have been able to see past some of the roadblocks that Humbert puts up had I been a younger and more naïve reader.

I don’t know what Nabokov’s intent was when writing this book, but clearly publishers and the public at large have also been seduced by Humbert Humbert. Just look at the freaking cover art for most of the editions of it (thankfully mine published by Everyman’s Library only has a photo of the author); why is Delores objectified again and again? Why do we use the term culturally “Lolita” to mean a “nymphette” as defined by Humbert? These facts are as disturbing as the book itself.

GREENBANKS BY DOROTHY WHIPPLE

photo credit

I chose Greenbanks by Dorothy Whipple for my “Classic by a Woman Author” for the 2016 Back to the Classics Challenge hosted by Karen at the blog Books and Chocolate.  This is the third title that I have read by Whipple after The Priory and Someone at a Distance, both of which I just now realize I read for the last two Back to the Classics Challenges! 

I own all three of these books in the Persephone re-issue editions. Whipple was a very popular author in her day, but fell out of favor (and print) until many of her titles were resurrected by Persephone. I believe she is currently the author with the most titles re-published by Persephone; they currently offer seven of her novels and one short story collection.

Greenbanks is primarily the story of Louisa Ashton, the mother and grandmother of a large, middle class family whom she raised in the family home of Greenbanks somewhere in northern England. The book is set in the first quarter of the 20^th century and there is a very definite theme running through the book regarding the options and restrictions placed on women across the generations, since Louisa grew up very much a Victorian while her granddaughter Rachel comes of age post WWI.  While Louisa’s grown children and their wives and husbands often mystify her, she has a very special relationship with granddaughter Rachel.

There isn’t much of a plot, but it is easy for the Whipple-loving reader to become immersed in the world of Greenbanks without it because she wrote so well and her characters are so exceptionally well-drawn.  Outside of Louisa and Rachel, who are very sympathetic characters, it is worth mentioning Ambrose, Rachel’s father and the insufferable husband of Louisa’ daughter Letty. Most of the time reader just wants to slap him, but occasionally there are small glimpses into his interior and his genuine incomprehension of other people and their motives and behaviors.  I did actually feel a bit sorry for him from time to time.

I find there to be something comforting about the way Whipple writes and the kinds of stories she tells, even though she doesn’t shy away from unpleasant subjects or characters. There is a smooth quality to her writing style, if that makes any sense, that keeps me turning the pages and I very much look forward to trying one of the further 4 Whipple titles from Persephone in future. 

A Separate Peace - Back to the Classics 2016

I first read A Separate Peace as a high school freshman. I can see why this book would be placed on a high school reading list: it is short, the language isn’t too complicated and there are some obvious themes of guilt and redemption to be mined for essays.  This book screams loss of innocence/coming of age.

I didn’t remember too much from back when I first read it, over 30 years ago. On the second read I was reminded of The Lord of the Flies, just with the savagery buried much, much deeper under the surface.  

A Separate Peace is rather dark story of adolescent male friendship.   The narration is given in flashback from the perspective of Gene Forrester, who attended an all-male boarding school located in New England in the mid 1940’s, just on the cusp of the United States entering the war.  Gene is from the south and it is only just barely referenced that his background is less grand, less old-south aristocratic, than he projects to his classmates. To me, this hints at Gene having the tiniest of a chip on his shoulder.

Gene’s roommate and best friend is Phineas (Finny), who is a natural leader, charismatic and popular at the school. Again, it isn’t explicit, but I think it is suggested that Finny is from the right kind of New England Brahman family.  So in short, Gene doesn’t really belong and Phineas does, or at least this is Gene’s perception.

Gene admires Finny, but also wants to set himself apart from him and be recognized for his own merits at school. Gene suspects that Finny is trying to bring him down and sabotage him academically.  Personally, I think the book is ambiguous on whether or not there is any truth in Gene’s paranoia and since the reader doesn’t get any direct insight into Phineas’ headspace, it is hard to say if he is genuine or not.  In any case, Gene’s perceived competition with Finney over their last summer term leads to tragic results.

I re-read this title for the category “Re-Read a Classic from School” in the 2016 Back to the Classic Challenge hosted by Karen on the blog Books and Chocolate.